of the war. Aside from some fine tuning, it's finished. The project stems from the urban myth of Mathew Brady's plates ending up as green house glass, which of course, there is no evidence this ever happened.
Here is a selection of plates, but as you know the beauty of an Ambrotype is when you see it with your own eyes. All plates are from the stories and legends of the lower Cape Fear during the war years of 1861-1865 created in the winter of 2014.
Special thanks to the Cameron Art Museum, a wonderful art museum on a Civil War Battle Field. Plus they believed in me and helped this happen. And thanks to all the reenactors who make it really fun to shoot wetplate in the woods. Much more to follow.
Mark your calendars, there will be a closing gallery talk and special guest on June 1st.